It's an Ah-Ha Moment

You may be wondering why the miniature paintings I've previously posted are of ocean scenes. Well, there's a couple of reasons.

Last year when my gallery partner Jackie Schindehette conceived the idea of creating mini oils for the holiday season, I thought it was a wonderful concept. A client could purchase an original painting for gift-giving (or self-gifting) that was affordable and we could produce and frame multiple pieces.

In theory.

Turns out, Jackie effortlessly painted tiny lovely landscapes, flowers, water scenes and even birds (at least it looked that way to me). On the other side of the studio, I struggled with the teensy format until going bonkers and gladly handing over those microscopic canvases to her.

After much soul-searching, I concluded that the large equine subjects I paint with unrestrained va-voom just didn't translate into a miniscule format.

Shortly after THAT realization (duh) I had a huge epiphany. Looking at all the paintings in my studio and recalling how I felt as I painted them brought me to an enlightened state of awareness: I have an intense desire to paint subjects in motion. Yup - movement, speed, direction, flow and all those mobile adjectives are indeed the source of my artistic inspiration.

Seriously, why does it take some of us so long to figure out the obvious?

"An artist's working life is marked by intensive application and intense discipline." - John F. Kennedy

Last Chance Mini

There is still time to ship this out quickly...I know there are plenty of you out there who wait until the last minute to do their shopping. I cater to you.

Miniature original oil on canvas, 5"x7", framed $50.00

“Punctuality is the virtue of the bored.” - Evelyn Waugh

Why You Should Collect Art (from a collector's viewpoint - not mine)

Rarely does a show excite me as did "The Unseen Eye - Photography from the W.M. Hunt Collection" currently on exhibit at the Appleton Museum of Art here in Ocala. Why? The collector, W.M. Hunt has written a transcript accompanying the exhibit that illustrates his passion for collecting in an intensely personal and accessible narrative. I'm not easily impressed but this is a must see show.

My fellow artists would do well to recognize the importance of describing and speaking about their own artwork as well as Mr. Hunt depicts his emotional connection to his collection.

No gallery labels, only numbers which are listed on a photocopied checklist describe the photographs. Purposely ignoring these, I wanted to experience the images without bias to Mapplethorpe, Arbus, Weston and other well-named photographers. Interspersed throughout the images is signage containing the honest, forthright and engaging feelings of Hunt written in the first person. This open invitation into the psyche of an obsessive collector makes the show absolutely extraordinary. We get to be voyeurs.

Here are a few of his quotes:

"I was a very unhappy child, full of melancholy and depression, full of dread and sadness. I was capable of great good humor and generosity, socially skilled, but I was fraught with anxiety and feelings of loss. I can’t get over how collecting offered me insight into so much of this. One of the successes of the collection is its consistency in terms how the images relate to me. When you look at this collection you don’t, in fact, need to know anything about me, but there is a through line that is amazingly consistent. It is my unconscious."

"I have always felt that I have been an enigma in need of sorting out. Collecting did that."

"Collecting photographs is a completely visceral experience, an epiphany. You know you have found a great one when the hair on the back of your hands stands on end, your heart pounds, and you can’t move your feet."

"Collectors are obsessed, ravenous for this one and then the next one. People who do not collect, won’t. They don’t connect with this intense, obsessive force. Too bad. It is huge fun."

"Great art is insistent. It demands a visceral response: unease, awe, relief, and it calls for contemplation. It resonates like a primal chord. The earliest mark making strikes me as a spiritual response to living, a primitive attempt to find or create meaning."

"Insist on engagement. Wrestle with what’s difficult. Pretty is boring. Seek intensity."

"Escape, intensity, pleasure, I like those things so I have to remind myself that my reaction or reading of a photographic image is mine alone. But as I have said, it is only my truth."

These quotes are only a few excerpts barely scratching the surface of Hunt's fearless openness. These are the people we create art for. At least we'd wish for them if we had a choice. The passionate who wear their hearts on their sleeve. I'm buying that painting because I love it and it speaks to me.

“Look, look, look. You have to look. It's the way to educate your eyes. Stare. Pry, listen eavesdrop. Die knowing something. You are not here long”. - Walker Evans

Another Mini

Our exhibit at VoilART Gallery + Studio will showcase miniature original oil paintings beginning tomorrow, December 1st. A great way to start a collection, add to, or help someone start a collection of original artwork. Or, just give as a really, really nice "little" gift.

"Rolling Wave" oil on mounted canvas, 5"x7"

If you're interested, please respond soon. The last mini sold quickly and I've provided a "Buy Now" feature to make it easy for you to purchase, especially if you can't visit the gallery. Reminder: it's only $50. and it's FRAMED! Check out the sidebar to the right:

“I've been doing a lot of abstract painting lately, extremely abstract. No brush, no paint, no canvas, I just think about it.” - Stephen Wright

The Market Has NoTaste

As an avid fan of marketing guru Seth Godin, I subscribe to his blog and eagerly read each updated post. I hope he doesn't mind me sharing his short but effective essay that spoke volumes...hey, it's what I've been talking about. How apropos:

When it comes to art, to human work that changes people, the mass market is a fool. A dolt. Stupid.

If you wait for the market to tell you that you're great, you'll merely end up wasting time. Or perhaps instead you will persuade yourself to ship the merely good, and settle for the tepid embrace of the uninvolved.

Great work is always shunned at first.

Would we (the market) benefit from more pandering by marketers churning out average stuff that gets a quick glance, or would we all be better off with passionate renegades on a mission to fulfill their vision?

"I am an idealist. I don't know where I'm going but I'm on the way." - Carl Sandburg

BUY ART!

The Mini's

In my lastest newsletter that I just know you read with unabated enthusiasm, I mentioned that my gallery VoilART! is hosting a holiday exhibit of miniature original oils sized 8"x10" and under. Entitled "Marvelous Minis for Merry Making", these little jewels are an affordable means to start a collection, add to a collection, and of course, become a most thoughtful and creative gift.

As promised, I'm posting as they are painted for those of you who can't visit the gallery here in Ocala.

No more excuses of jam-packed walls that simply cannot squeeze in another square inch...these little lovelies will fit perfectly on any tabletop or spruce up a shelf.


Behold - memories of the cold, cold rocky shore of the Pacific when I lived in the bay area in California. It's approximately 5"x7" and framed to boot. Only $50. For an original. That's also framed.

In case you don't subscribe to my newsletter (and I can't imagine why not), here is a link to view it.

Avoid the ho-hum big box...

BUY ART!

"If you work from memory, you are most likely to put in your real feeling." - Robert Henri

Sense of Place

I really, really wanted to finish this painting begun last summer in my vendor booth at Saratoga. It's a warm up, stretching my pigment muscles and feeling the milieu of time and space, intending to transfer that aura to my mounting commission work. When your brushstrokes caress the canvas, you're getting it. Ya just gotta feel it, breathe it and taste it to paint it good.

"Barn Scene, Saratoga", oil on canvas, 16"x20"

It captures those soft mornings on the backside when the sun filters through the many big trees. People and horses are more relaxed and visitors are pleased to be able to tour the barn area. Must be the negative ions of nature. I know this because Michael had a stable there in the early to mid 80's. I so resonate with this place and it took me many years of persistence to get back my foothold.

There are beautiful race tracks across the country but there's only one Saratoga. It's a destination. A place to aspire to. A keeper of history with infamous records and facts and many stories both well known and whispered. Saratoga keeps it's head above the troubled waters. Owners dream of running and winning there. Graveyard of favorites, that it is.

"A man doesn't learn to understand anything unless he loves it." - Johann Wolfgang von Goethe

Ocala Art Festival

I'd like to invite you to attend the Ocala Art Festival this weekend. It's located at the McPherson Government Complex, 601 SE 25th Ave in beautiful Ocala, Florida (my home sweet home). Please stop by and visit me in my booth: E33. The weather will be perfect and you can enjoy a leisurely stroll through the rows of compelling and diverse artwork.

Remember, the holidays loom on the horizon and purchasing a special piece of art is a creative gesture of hip thoughtfulness. Way cool. Avoid the big box stores with the same old repetitious merchandise:

BUY ART

"Each time you purchase a piece of art, you're investing in a piece of history and in another person's life. " - Diane Overmyer (well said, Diane)

Like an Old Friend

This original oil on canvas is back in my own studio, VoilART! in downtown Ocala. I won't share with you the why's, from where or who because I guard the privacy of my collectors and galleries. Suffice to say it's great to see it again and I give my old work mixed reviews. Myriad technicalities I would have confronted differently though I'm impressed with the level of power portrayed. I remember how I felt while creating this piece. There's always that one horse with an attitude who can be relied on to behave badly at the worse time. It's dangerous and exhilarating, maddening and glorious.

"Blue Blinkers" oil on canvas, 60"x48"

If you find it interesting, click here for more info.

"A good picture, any picture, has to be bristling with razor blades." - Pablo Picasso

How long did that take?

Someone is looking intently at an artwork, turns to the artist and innocently asks: "How long did it take you to do that?". Ugh.

It makes an artist cringe. Some artists, feeling defensive, reply with a flippant "My whole life!" To an artist, the question insinuates perceived worth. I used to patiently consider the question an ice breaker, a safe way for the viewer to engage in conversation because they are not sure how to approach otherwise. Now I'm suspect.

Time, labor, materials, size. It's frustrating to deal with so much attention to physicality. I don't mind discussing technique. It's the reference to time = $$$ that increasingly annoys. If I say a canvas took me half a day because the painting session was immersed in a zen-like creativity, the reaction is...polite respect. However, numeration involving pained hours and hours (even months) spent on a piece concurs head-nodding monetary merit. Calculating value by the hours expended in a creation of art is not an indication of what it should cost.

"My whole life" really is. Accrued skill takes a lifetime of patience and persistence. It parallels general life experience and evolves into a total package as the artist becomes the art and the art IS the artist.

"The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run." - Henry David Thoreau